Stained Glass Helicopter Kaleidoscope Repair

Stained glass is a very versatile art .. So many unusual things can be made with it.  This is a good example, a kaleidoscope helicopter.  You look through the opening below the rudder, then turn the rotors up top and it produces very colorful images.  This one was damaged in shipping and is destined to be a Christmas gift.  Here's how I went about the repairs ..


Here it is, resting on its side, the skids under the helicopter were cracked, as was the upper rudder.

Rather than replace the iridescent glass, my customer asked me to repair the existing glass.

Therefore I used toothpicks as splints, and I glued the cracked glass back together.

Then I wrapped each skid in new copper foil.  For added reinforcement, I ran a length of 20 gauge wire around the entire perimeter of each skid.  This also served to bond the skids to the undercarriage wires.

After I secured the foil and wire in place, I soldered it fully.  Then I brushed on the black patina as shown.

 
The glue failed and the rudder fell off, as shown.

 In order to repair and reinforce the rudder, I re-glued it in place.  After the glue set, I wrapped new copper foil around the sides and back as shown.

 

Then I soldered it in place, being sure to bond the foil to the existing solder on the back end of the helicopter.  Now the skids are firmly in place, as is the rudder.

And here's the little helicopter, ready to make somebody happy as a Christmas gift!

Thank you to Mrs. B, a repeat customer, for coming back again to have me do this charming little project!

For more information on my other projects, please click here to visit my website.

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Repairs to Badly Damaged Stained Glass Lamp

Most repairs are fairly straight-forward with a handful of cracked pieces..  This lamp, though, was so badly damaged that I needed to basically rebuild much of it.  It was the victim of yet another curious cat.  I replaced 45 pieces of glass.

The owner of the lamp lives in Washington DC but has occasional business in New York City.  He delivered and picked up the lamp by driving up from DC to NYC, then another 17 miles north from NYC to arrive here in Midland Park, NJ, to my home studio. 


This lamp is made of the very popular clear frosted glass called Glue Chip.  Its a very popular glass, but not often seen used in a lamp.  The reasons are that you can see the lighting mechanism through it, and the clear textured glass is not as strong as an opalescent, or non-see-through glass, would be.

Here's a view of one side of the lamp showing many cracked pieces.

In this view, you can see how the lamp was so badly hit that the bottom curled inward.

And here's a view from the side.

Here's a view of the upper edge showing many cracked pieces along the border.  Before starting my work, I gently tugged on the lamp to pull out the crushed sides.  I wore protective gloves.  I know how much tension to use so that the lamp will not sustain further damage.  As I work on the lamp, I keep checking for its round-ness and overall shape.

When a lamp has this many repairs, its important to do everything in the proper order.  I don't generally replace adjacent pieces simultaneously unless there's no other option.  Doing so can cause the lamp to collapse.  Its also more difficult to work "in mid air", without support pieces in place next to the ones being replaced.

After I assessed the damage, I formed a plan.  Here I've started to crack out the remainder of a piece.  I'm using the metal end of my oil-filled pistol grip glass cutter.  I tap on the cracked piece repeatedly to remove loose pieces.  Then I use a needle nose pliers to pull out the rest of the glass.  The bits of blue tape indicate the locations of many of the cracked pieces.

Here I'm using the pliers to tug off the old foil and solder to prepare the border for the new glass.

This glass in this lamp had not been ground before assembly.  This is a common practice.  I prefer to grind the glass though.  It gives the copper foil a better surface on which to adhere, which will add years to the life of the repair.  Here I'm using a hand file to rough up the edges of the glass.

Here I'm placing a piece of Manila folder behind the opening to create a template for the new piece of glass.  Note that I've already added new copper foil to the border.  I'm using 7/32" black-back foil.

Grinding the edge of the new glass.

Burnishing the foil onto the glass with a "fid" or flat plastic wand. Note that the inner, adhesive side of the copper foil is black.  I chose this foil because it will become invisible around the pieces after I apply black patina at the end of the process.

Brushing on liquid flux around the newly foiled glass and border.  This chemical allows the solder to flow evenly.

Now the first replacement piece is soldered in place on the outside of the lamp.

Now several pieces have been replaced, and a few more have been removed.

Here I'm using my soldering iron to melt off old foil and solder.  

I've replaced many of the clear glue chip pieces.  Now I'm starting to replace the purple cathedral (see-through) glass.  I'm using the glass cutter to tap out the purple cracked pieces.

Since the lamp has so many repetitive pieces in its pattern, I'm using one template to trace five purple pieces.

I've scored the glass using the cutter.  Here I'm using a pair of blue running pliers to snap the glass on the score.

Since the curves in these pieces are very deep, I opted to cut them using an electric ring saw, shown here.  

 

I've cut the inner curves with the saw.  Since the markings were partially washed off in the process, I dried each piece and re-marked them.  Then I hand-cut the outer borders.

And then each piece goes back to the electric grinder.

Moving on .. Here I've made templates and cut glass for more of the purple and for several more clear pieces.

Here's a view off the side, showing the repairs in various stages.

Another view of the once-crushed side.  

 Using one pattern to cut two more pieces of replacement clear pieces.

Now the side has several more pieces replaced with several more in various stages.

View from inside the lamp with many pieces replaced, and several in progress.

After I replaced all of the cracked glue chip and purple cathedral glass pieces, I moved onto the opalescent (non-see-through) purple-light blue flowers.  Several of them sustained cracks as well.

Here are the custom pattern pieces which I created in order to repair this lamp.

After the 45 pieces of glass have been replaced, I soldered the remaining replacement pieces on the inside of the dome.  Then I cleaned off all the flux using a neutralizing spray.  Then after the lamp is dry, I applied black patina, as shown here.  It turns the solder black instantly.  After the patina sets, the lamp dries again, then undergoes another thorough cleaning.

And here is a view of the lamp, fully repaired.

Another view of a different side.

Here's an "aerial" view.

And another view of the lamp in our front window, awaiting its ride home.
Thanks so much Brian, for your long drives to and from Washington DC to drop off and pick up your lamp.  I'm very pleased with the repairs and I know you are as well!  Enjoy!

 

For more information on my other projects, please click here to visit my website.

If you're on FaceBook, please click here to "like" my BoehmStained Glass Studio page to keep up with all the latest projects.  Thank you!

Striped Stained Glass Lamp Repair

This colorful lamp had a few cracked pieces in it when my customer purchased it from an antique dealer.  Here's how I went about repairing it ..

The cracks aren't obvious but they're marked here with blue tape.

Here's the glass that we agreed would be the best match.

First I'm using the metal end of the oil filled pistol grip glass cutter to crack out the piece that's slated for replacement.

Then I cleared the border of old foil and solder.  Note the notch on the piece below.  That's also going to be replaced.

I made a paper template of the opening and traced it onto a strip of glass.  Just by chance, I used this glass as a cutting demonstration for a group of students at a grammar school last May.  The strips I made just happened to be the exact right size and color for this project.

Now I'm applying adhesive copper foil in 7/32" width to the glass.

Cracking out the glass in the rest of the row.

Using a metal file to sand down the edges of the glass.

 Now the turquoise row is cut, foiled, and in place in the lamp.

Onto cutting the blue piece.

Using running pliers to snap the glass after I've scored it.

Now both rows are in place, ready for fluxing and soldering.  Liquid flux is always applied to the foil before soldering.  It acts as a catalyst and helps the solder to flow.

An unusual feature of this lamp is that the patina was a mix of copper and black.  So I made a custom mix of both colors to replicate the existing color.

After I soldered the rows in place, I'm applying the custom black and copper patina onto the solder.

After a cleaning and waxing, here is the repaired lamp.

And here it is, lighted from below.  Thank you to Allison for bringing me your lamp.  May you enjoy it for years to come!

For more information on my other projects, please click here to visit my website.

If you're on FaceBook, please click here to "like" my BoehmStained Glass Studio page to keep up with all the latest projects.  Thank you!