Wedding Invitation under Glass

Here's a bit of a departure from usual projects.  I was commissioned to enclose a wedding invitation under glass.  My customer had one made for her own wedding years ago and wanted the same for her friends.  She brought hers to me as an example and I replicated it.  The process ...


For the back piece of glass, I used clear Glue Chip which has a winter frost texture to it, very appropriate for a December wedding.  I faced the texture to the inside, so that the glass would be smooth in back and have a bit of grip to the inside.  The front piece of glass was clear windowpane glass.

After measuring the invitation and the glass, I cut each piece and then brought them to the grinder to smooth the edges.

Then I added a border of 1/4" silver back copper foil to the borders of both sheets of glass.  The side of the foil facing inward is silver.  I chose this color because the solder will not be patinaed, it will remain silver.  By using foil with a silver interior, it will not show through the glass.

To secure the invitation to the Glue Chip glass backing, I added a few glue dots as shown.  They are perfect circles and very sticky, ideal for attaching to the glass.

After the invitation was trapped between the two sheets of glass, I taped them together securely. Then I applied liquid flux sparingly to the borders and carefully soldered the sides together.

 Here is the invitation within the glass after I applied decorative solder to the front edge as shown.  My customer's invitation also had a decorative border, so she wanted the same for her friend.

Next, I used 20 gauge copper wire wrapped around a metal brush to create two hanging hooks for the back.

Here's one of the hooks embedded into the back border.

And here's a back view of the finished invitation which shows five glue dots and the hanging hooks.

All done! These make great gifts .. The glass is heavy and sturdy and the decorative solder on the front makes it even more unique.  Thank you Donna and Chad for bringing your project to me.

For more information on my other projects, please click here to visit my website.

If you're on FaceBook, please click here to "like" my BoehmStained Glass Studio page to keep up with all the latest projects.  Thank you!

Repairs to Stained Glass Wedding Hearts Panel

This unique panel was made by my customer as a wedding gift for his bride twenty years ago.  He used to do stained glass, and this is evidence of his expertise and creativity.  After he designed and created the panel, he asked each wedding guest to etch their name into the hearts.  The panel was damaged and so he came to me to repair it.

Here's how it came to me with both corners snapped off and with several cracked pieces in the bottom row.

I began by removing old copper foil and solder from the upper corner.  Laying nearby is the replacement piece of green, to which I've already applied new copper foil.

In preparation for the attachment, I'm using a hand file to roughen up the edges of the glass.  This helps the copper foil to adhere better. The signatures can readily be seen in this photo.  Its irreplaceable.

With the new corner piece in place, I'm applying liquid flux to the foil.  This helps the solder to flow evenly.

Now the new piece is in place.  Notice that I replicated the decorative solder as well.  A nice touch.

 Here I'm using steel wool to remove old patina so that I can solder the adjacent piece of glass.

Making a pattern for the replacement pieces in the other corner.

Tracing the pattern onto the glass.

This beautiful panel was created using opalescent glass, which tends to be more difficult to cut than cathedral, or transparent, glass.  Therefore I used my wet saw to do the job.

Using the glass grinder to smooth the edges of a replacement piece.

Now the corner has been repaired.

Moving onto the bottom, there are a few pieces where cracks can clearly be seen.

I've scored one of the cracked pieces by cross-hatching the surface with the glass cutter.  Here I'm carefully banging out the piece with the metal end of the cutter.

Now the piece has been removed and I've prepared and traced the new replacement glass.

With that piece in place, I moved on to the adjacent one.

Now that one is repaired.

Another view of another pattern in place, awaiting replacement.

After all of the cracked pieces have been replaced, I'm spraying the surface with a cleaner which neutralizes the flux.

Here my husband Eric is fitting a custom frame onto the piece.  Not pictured is the end process whereby I solder the lead lines to the frame in several places on the front and back.  

And here is the finished repair, minus the zinc frame.  (A first for me, I didn't take an "after" photo). Many thanks to Rich for entrusting this special piece to me.  May you and your wife enjoy it for the next twenty years!

For more information on my other projects, please click here to visit my website.

If you're on FaceBook, please click here to "like" my BoehmStained Glass Studio page to keep up with all the latest projects.  Thank you!

Stained Glass Scenery from a Photograph

This project is a great example of how I created a stained glass window from a photograph.  My customer and her husband wanted a special gift for her sister's second wedding.  She was engaged in Montana.  My customer sent me several photographs which she "borrowed" unobtrusively from her sister's FaceBook page.  All were lovely but not all were suited to be converted into stained glass.  We met after I rendered them in glass, and this photograph was the winner!

Here's my computer rendition of the photograph.  Note the heart in the wall.  That was a nice touch, a suggestion from my customer.

Here I'm preparing the pattern.  Bottom layer is manila folders, middle is carbon paper, top is the paper pattern or "cartoon".  I trace all markings and colors for each piece of glass onto the folders.

The outer edge of the pattern is cut with regular scissors.

All pattern pieces are cut with double-bladed stained glass pattern shears.  They leave a thin channel of paper between each piece to allow for the copper foil which will follow.

Here's a collection of thin strips cut out by the pattern shears.

Next, I group each pattern piece, by color, into recycled junk mail envelopes.  I generally cut all of one color at a time.

Using an oil-filled pistol grip glass cutter to score a line onto the "cloud" glass.

Since this piece has several curves which would be too risky to cut by hand, I'm using my wet ring saw to do the job.  I'm applying lip balm to the Sharpie markings to prevent the water from washing them off.

Here's how well the ring saw does on complicated curves.

Grinding the edges of the glass to make them safe to handle and to improve the adhesion of the copper foil.

Moving onto the light amber glass for the wall.  I've traced several pieces onto a piece of glass.

These "groziers" nip off small piece of glass.

The "running pliers" will snap a straight score in half.

More pieces marked and ready for cutting.

The "cartoon" is push-pinned to my work surface and enclosed in a metal "fence" as shown.  This keeps the glass pieces from shifting as I work.

The wall is beginning to take shape.

 Sky being cut.

Using mirror glass for the river.  Here I'm tapping on the glass after I scored it.  Doing this repeatedly will release the glass and separate it.

Back to the saw for some intricate curves.

More pieces cut and in place on the "cartoon".

 

 The mountains are a deep purple, as seen when held to the light.

 Moving on to the light green hills on the left.

 Now all the glass has been cut.

 

 

 At this point, I decided that the wall needed a little something more.  One of the photographs I was given featured pink flowers which were blooming in the area.  After I spoke with my customer and got her approval, I modified my original rendition to include some of the flowers in the foreground.  I like the added color and the foreground interest better now.

Close-up of the flowers.

Etching my name and date of presentation (June 2017) into the lower right corner.

The start of the copper foil process.  Each piece gets foiled at the edge.

 The top part of the window has been foiled.  During this process, the glass will "grow" a bit.  Notice the silver dots at the edge of the large piece below.  These edges fit a bit too tightly.  Therefore I brought it back to the grinder to wear down those areas for a better fit.  As the foiling continues, these tweaks are often needed.

Placing a foiled piece onto the pattern.  Notice how the river is reflective.  I used mirror glass for that effect.

 Now the piece is foiled except for the wall, which I'm going to modify by adding flowers.

Using my computer rendition as a general guide, I drew over the wall to indicate where to cut out small areas for the addition of the pink flowers.

Now the areas are cut out.

 Tracing the new pieces onto the pink glass.

Now the pink flowers are in place and the entire window has been foiled.

Here I'm reinforcing the window by adding random lengths of braided copper reinforcement wire throughout.  These fit between the pieces of glass and become invisible after soldering.

Applying liquid flux to the copper foil.  This acts as a catalyst to enable the solder to flow freely onto the foil.

Tack soldering process.  Here I'm applying small beads of solder randomly to the intersections of the glass to lock them in place.

After its been tack soldered, I remove the fence and slide out the cartoon.

The window, fully soldered on the front.

Next, my husband Eric makes a custom sized zinc metal frame for the window.

Fitting the window in place.

Soldering the frame onto the window.

Soldering the hooks onto the upper corners.

Applying patina to turn the solder black.

Cleaning the entire piece with Kwik-Clean which removes all traces of flux and patina. The window is actually cleaned several times throughout the process.  After this final cleaning, the window is left to dry.  Then I apply stained glass finishing compound to add shine to the glass and to protect the patina.

And here its complete!

 

Another view, taken outdoors.  Now the sky is more visible.

Thank you Robyn and Rodger for bringing me in to create this personalized and very special wedding gift!  It was a pleasure meeting you both!

For more information on my other projects, please click here to visit my website.

If you're on FaceBook, please click here to "like" my BoehmStained Glass Studio page to keep up with all the latest projects.  Thank you!